Christmas Card fail and then subsequent redemption

Well, it almost never happens, but this year's original Christmas card was a failure. :(  I liked the design and the finished card looked pretty darn good but production of 60 cards was just not to be.

See how nice they turned out?

sigh

Unfortunately, all of that lovely fine glitter clogged up the acetate stencil that I had cut and it became a constant battle of cleaning out the stencil every second or third spraying. If I didn't do it that often the glitter started filling in the narrow lines of the letters, dammit. So I did that, starting to grumble. But then when the stencil started to break/tear at some of the narrow places, I saw the handwriting on the wall.

It was just not going to happen. 20 cards? yeah, I would have toughed it out. But 60? no way.
Time to regroup. Remember: "its not a mistake, its a design opportunity". Right? Right!

Ok. Well, I already had a stack of pre-sprayed background cards so it had to involve them. I did not wish to go back to the drawing board and spend an excessive amount of time conceptualizing so I (guiltily) rehashed a designed from a few years ago with a textured paper star. An added plus: I still had some of that textured paper and was happy to use it up.

Here's my nice fat star template--I like him!

And here is my stack of textured stars. You can barely make it out, but they, too, have been sprayed with the gold glitter spray from Lowe's. Holding the spray can at a sharp angle while spraying allowed the glitter to get in the closer crevasses and not in the away crevasses, making for a nice effect. (You'll have to take my word for it; I know it doesn't really show up here).

A sheet of foam that I had saved from some shipment or other gave its life to make some little rectangles.
(extra points for recycling and keeping a piece foam out of the landfill)

And then out comes the glue gun and attaches all of that foam to the stars....

and then the stars to the cards!














And that is it. Whew--I'm done. Crisis averted. Yay!

 Time to start addressing those cards now...

Updates...

Its been a busy weekend and I made a fair amount of progress on several fun projects. So here are some interim updates on three different works I've got going. {Don't ask me why I have so many projects going, sometimes it just happens that way. Just a little crazy sometimes, I guess.} And I'm not even going to mention the 3 different kinds of Christmas cookie dough that I have chilling in the fridge. gack! Never mind--you didn't hear that--

Anyway, On my large underwater piece, I sewed down some bias tape stems for some seaweed as you can see here. I personally love Clover iron on bias tape. Its so nice and curveable.  You still have to tack it down, of course, or it will pop off after some handling. The only downside to this wonderful stuff is that its difficult to come by in colors. Usually you only find it in black (folks use it for making "stained glass" quilts). Every once in a blue moon I stumble upon it in other colors and when I do, I snap it up. So I went to my stash and found some mottled light brown tape--perfect. Also a little gold for just a short stretch.

After that was done, I spent some nice, contemplative time laying out the leaflets of the seaweed--quite a few tan ones, some yellow and a few gold ones cut into 6 different sizes. I want it to look like some of them are catching the light underwater and flashing it back at you.

Obviously, I have a lot of leaves to sew down now. I'll be doing some raw edge applique to accomplish that. Since I fused all the leaf fabric to some Pelon Shirtailor interfacing, I will have no trouble doing that with a narrow satin stitch. I got a few of them done over the weekend but by no means all. Its fiddly work and I can only concentrate for so long before I start losing my focus and start getting sloppy.

When that happens, I have found that its just no good trying to "power through" or some such. I'll just make more and more mistakes and get supremely aggravated. Maybe even have to pick out some stitches. Which I hate doing, but I'll force myself if I've made a botch of things. At least in this medium you can do that unlike other media.

So when I exhausted myself on the leaves, I took myself off to the kitchen to design this year's Christmas card. Keeping it simple this year and no textiles, either. Something with some spray paint and an acetate stencil seemed the way to go.

Here's my sketch in the actual card dimensions on the left. I'm seeing lots of glittery gold. I bought some holiday spray glitter at Lowe's last weekend and I'm thinking that it might be just the thing.

And here is the acetate sheet half cut out. I'm not a big fan of working with an Exacto knife, but I worked slow and steady and kept it together and did an ok job of making a nice stiff stencil.

And then, since I've had a several sales from my etsy site recently, I worked on replacing some of the inventory of my biggest seller: business sized envelopes. So relaxing to trace and cut these out and then so fun to fold them and watch them become an envelope. Its a simple thing but I get a big charge out of it for each and every one.


Yay!

When the weekend was over, I felt so accomplished. Even though I didn't get anything technically completed, I still was deeply satisfied.

And its just as much about the process as it is about the product, isn't it??

Quick update

 Just a quickie post to stay in touch and let you all know that while I have been working that pesky day job I have also been trying really hard to keep up with my projects. Here's two solid rows of the stencil repeat. At this point I'm not really sure how many rows I'll end up doing. At least one more, maybe two?? I'm just not sure.

Here's a close-up of the little recycled quilt. Its all pinned now and ready for quilting on the machine. Still trying to decide about the quilting pattern. Organic free form curves doesn't seem to go with the whole feel of this piece. Straight line sewing and contour outlines seem most likely.  No rush on this now--I missed the entry deadline for the show I was thinking about. Oh well, that's happened before--its no biggie. I figure I get a different sort of piece in my inventory, one that I wouldn't have ordinarily have tried if hadn't been for the entry requirements.

Well, that's it for tonight. I have some more postcards in the works and you'll be seeing those here really soon too.

Wall treatments

Hi all,

I know, I know--its been a loooong time. My apologies. That's what happens when you get divorced and start working full-time! Gack! But here's a new post dealing with wall treatments.

Like many folks, I have painted walls and even dabbled a bit in some so-called "faux" finishes. It can be lots of fun. Be not afraid! Get a good reference book--I particularly liked Sunset's guide Decorative Paint & Faux Finishes--read up and go to it! Don't be afraid to try new techniques. And don't be afraid to paint right over them if they don't work. (For that reason, I stay away from textured treatments; much harder to cover up a mistake.)

Here's my first wall treatment. We painted our living room a deep gold color and had a lot of gold accents in the room. So I though a metallic gold would be appropriate on the walls too. The crown molding got painted with a flat yellow latex and then was streaked with a metallic gold paint and a simple stencil was applied as a border directly underneath all around the room. I thought it turned out handsomely.

 Here is the wall at a higher magnification. I loved the look of the gold stencil paint so much that I did an all over gold stencil in the dining room next door. You can just make it out through the doorway. It took me quite a while to go around and do the whole room but it was worth it (and covered up the flaws in the drywall, to boot.)

In this dining room wall, I did a fairly complex faux finish and then completed the look with star stencils. I started with a layer of orange paint (pumpkin orange!) and then mixed a deep red paint half and half with some glaze. I then dry-brushed the thin red paint over the orange. It took three layers to get the effect I wanted. Then I applied hundreds of star stencils in gold, dense at the top and falling down and thinning out at the bottom. 

For all of the stenciling I used Delta Stencil creme oil paint Delta Stencil Magic Paint Creme Folk Colors Traditional--it was very easy to work with and gave great results. Love, love, love, the metallic gold especially.